Monday, October 26, 2015

"Fadeaways? Curves? Speed? We Had 'em All": The Illustrious Career of Pitcher Frank Mountain

Special thanks to Julie Mountain for sending us articles and information on Frank Mountain and to library volunteer Diane Leone for compiling this information.

Between the ages 10 and 14, my friends and I would gather for weekly games of Wiffle Ball in the court next to my house. We formed our own league, had our own constantly changing rules, decided what counted as a home run (over the power lines, over my neighbors fence, or if we managed to hit the street light), made some drastic modifications to the bats we used, decided whether a player running the bases would be considered out if he was hit with a thrown ball, and tried a few different types of ball (later experiments with a tennis ball led to unhappy neighbors and bruised hands). Like the residents of Pittsfield, Massachusetts in 1791 who banned bat and ball games within 80 yards of the newly built meeting house, I’m sure our neighbors often wished to ban us from playing ball in the court. Similar to our ever changing rules, rule changes in professional baseball during the late-1800s happened quite frequently and Schenectady’s Frank “Curley” Mountain was one of the preeminent players during this evolving period of baseball.

Frank Mountain was born in Fort Edward, NY on May 17, 1860 to David and Elizabeth Mountain. The family moved to Schenectady in 1865. Frank would play sandlot ball while going to class at the Union Classical Institute, and would often head straight for Union College’s field. As a student in high school, he wasn’t technically allowed to play with the college students on campus, but his skill on the field made him a welcome addition. Mountain pitched one game for Union College in 1879 and at least 10 in 1880 before officially enrolling in Union in 1881. As a freshman, Mountain debated with Union Professor Cady Staley about the physical and mathematical possibility of throwing a curveball. It was widely believed that the curveball was an optical illusion and Mountain was set on proving that the ball actually curved. According to Reverend W.N.P Dailey in the St. Johnsville Enterprise, the debate was ended when Mountain “placed his teacher so that unless he moved suddenly in the straight pitch the curved ball at the plate would have hit him.” Staley was amazed by the pitch and would go on to have Frank demonstrate his curve for physics classes. Mountain and fellow student Daniel McElwain would lead Union to win the 1881 championship of the New York State Intercollegiate Baseball Association.
Frank Mountain shown in the front row, second from the right, and the Union Class of 1884. Courtesy of Julie Mountain.
He made his professional debut in 1880 for the Troy Trojans back when Troy had a professional baseball team. It wasn’t until 1883, when he was playing for the Columbus Buckeyes, that he really showed his skill as a pitcher. Pitchers during this era would often play full games, and Frank Mountain was no exception. During the 1883 season, he pitched 59 games for a whopping total of 503 innings pitched. He was also known to pitch double headers, 4 games in a row, and would often play the field when not pitching on his “day off” due to his skill as a hitter and fielder. His best season was in 1884 where he won 24 games, lost 17, and had a 2.45 earned run average which was the fifth best in the American Association. He also pitched a no-hitter against both the Washington Nationals and the Cincinnati Red Stockings during that season. Unfortunately, this brutal pace took a toll on Mountain’s arm and by 1885, he became a coach and trainer (one of the first to coach from the bench) while occasionally playing first base or in the outfield. His last Major League appearance was on August 17, 1886 while playing for the Pittsburgh Alleghenys.

The 1884 Columbus Buckeyes. Pitchers Frank Mountain and Ed Morris are shown in the front row. Mountain and Morris pitched a total of 94 games in the 1884 season. Courtesy of the issue #37 of Old Cardboard (http://www.oldcardboard.com/enews/2007/enews37/enews37.htm).
Mountain moved back to Schenectady, started a family, and worked at General Electric as the Assistant Fire Chief for about 40 years. An unidentified 1921 article titled “Frank Mountain Craves Chance to Pitch Them Over to Babe Ruth” profiled Mountain. In the article, he states that he would like to be back in the game “with his old-time pitcher’s cunning” to face off against Babe Ruth. The article also focuses on some of the changes that have occurred in baseball since his heyday. According to Mountain, the pitcher would never think of taking instructions from the catcher, as he would be able to decide which pitch he threw by sizing up each batter. It is also reported that he discovered the spitball and frequently used a “moist delivery to secure a fairly slow ball that broke with a drop as it crossed the plate.” He also played during a time when baseball gloves were optional. Even if players chose to wear a glove, they were more like a leather work glove and lacked padding or webbing. One of the first instances of adding padding to a glove was in 1885 when Providence Grays shortstop Arthur Irwin attempted to protect two broken fingers by padding his glove.
An example of the type of glove players "subject to sore hands" would wear in the early 1880s. From the 1880 issue of the Spalding Base Ball Guide courtesy of The Smithsonian Library on Archive.org (https://archive.org/details/spaldingsbasebal1880chic).
In 1938, Frank Mountain was given a silver pass which gave him lifetime admission to any Major League Baseball game. The pass came as a complete surprise to Mountain who said that receiving the pass was one of the happiest moments of his life. He passed away on November 30th, 1939 and was buried in the Most Holy Redeemer Cemetery. His legacy lives on through great granddaughter  Julie Mountain, who also graduated from Union 103 years after Frank. She feels that his efforts to leverage Union and engineering professors to demonstrate that the curve was real and not an optical illusion is important to show his commitment to learning and education. Julie very kindly sent us her research on Frank Mountain for this post and is working to nominate Frank for the Buck O'Neil award for his early contributions to the game. If anyone has any additional information about him please contact her at Mountain_299@hotmail.com.


Frank Mountain kept his signature handlebar mustache (a bit difficult to see in this photo) throughout his life. Courtesy of the Grems-Doolittle Library.
Vintage baseball leagues have been making a comeback in recent years. The Atlantic Base Ball Club based out of Brooklyn plays home games on the grounds of the Smithtown Historical Society in Long Island, but have been playing at the Annual Ommegang Brewery Festival in Cooperstown, NY. Follow this link to watch a clip of the Atlantics: https://www.youtube.com/watch?v=5I98ACObgnw.

The Grems-Doolittle Library has been digitizing some of our photos on sports and recreation in Schenectady through the New York Heritage website. This collection features photos of the Schenectady Blue Jays, the J.C. Baseball Club, and the Schenectady Whirlwinds, with more being added periodically. Check it out at http://nyheritage.nnyln.net/cdm/landingpage/collection/p16694coll45.  

                                                                                                                                         -Mike Maloney

Thursday, October 8, 2015

Schenectady's Haunted Past: Victorian Spectres in the Stockade

This post was written by SCHS's Assistant Curator Kaitlin Morton-Bentley

As Halloween draws near, it is the time of year to think about haunted houses and ghost stories. The Stockade neighborhood is over 350 years old and has seen its share of characters come and go. Our Candlelight Walking Tours held every Friday in October explore these stories, some which have been written down decades ago by folklore enthusiasts and some which were told to us firsthand. 
Undated photograph of Green, Front, and Ferry Street.
Courtesy of the Grems-Doolittle Photograph Collection
New for this year is our Victorian Candlelight Tour. Victorian culture was passionate about death and mourning. The nation experienced an unprecedented loss of young life during the Civil War, leaving families looking for ways to recognize the passing of their loved ones. Elaborate mourning rituals developed, including dressing in black for months or years and withdrawing from society. A woman in mourning might write on stationary edged in black or wear jewelry made from the woven hair of a deceased loved one. Victorians embraced death and mourning, and it is no surprise that some of our best stories come from that time period, including three stories about ghosts near Green Street.

There is a story about a little boy ghost in a Green Street apartment, perhaps the young son of one of the servants who lived in the Ellis brothers’ mansion. The boy may have lived in a small servants quarters building just behind the mansion and would have run back and forth between the two.  He is dressed in brown pants and jacket with a white shirt and is known to be mischievous by throwing candlesticks and other small objects in the present day apartments. The woman who lives in this apartment has reported several encounters with this boy ghost. At night she felt a hand touching a sore spot on her spine, making the pain go away, but when she woke up there was no one there. She once saw a candle wiggle out of its holder by itself and fly across the room to hit the wall. She believes the young ghost wants attention, so if she talks to him, he does not cause as much mischief. When she loses items she asks the ghost to put them back before she starts searching, and they usually return on their own. This little boy ghost is a benevolent spirit and just wants to have a little fun.
The blurred faces give this photo an eerie, otherworldly quality.
Courtesy of the Grems-Doolittle Photograph Collection 
The original burying ground for the Stockade was located about halfway down Green Street. By the 19th century the burial ground was getting crowded, and they decided to build a new and bigger cemetery called Vale Cemetery. All of the people buried in the old cemetery were moved to Vale. Vale was one of the many new Victorian rural cemeteries, built not just to hold graves, but to serve as a place of nature where the living could enjoy picnic lunches and strolls alongside those who had passed on. Vale Cemetery was dedicated in 1857. Just south of Vale Park there used to be a grand mansion, which was known to be haunted. Dishes and trays were snatched from maids’ hands, and forks and spoons were grabbed as guests tried to eat. Dishes rattled in empty rooms, windows mysteriously opened and closed, and doors banged when there was no wind. The mansion was torn down decades ago. Perhaps the ghost was a spirit whose grave had been moved from the Stockade to Vale Cemetery and did not care for its new neighbors?

Ferry at Front Street, 1892. Courtesy of the Grems-Doolittle Photograph Collection
Further down the road, Green Street meets Front Street, another street filled with older houses. In one such house there is a recent story about a young woman who rented an apartment. The landlord told her she probably wouldn’t last long, because the building was haunted. She told the landlord that she did not believe in ghosts. She soon learned why so many tenants had left before. Doors would open and shut by themselves, and at night her blankets were pulled off her by invisible hands. One morning she woke up to all her things strewn about the apartment. There were cold spots in the rooms that wouldn’t warm up no matter how high she turned up the heat. The young woman decided she couldn’t take it anymore and informed the landlord she would be moving out immediately. The last nights she spent there were peaceful. Clearly the spirit who lived there was not in favor of having a roommate.


While there haven't been any reports of hauntings at 26 Front Street (that we know of), this
 photo of residents at 26 Front from the late 19th Century shows an example of Victorian fashion.
 Courtesy of the Grems-Doolittle Photograph Collection
Come see the sites of these stories and hear even more about the haunted past of the Stockade! Candlelight Walking Tours will be held Friday October 9, 16, 23, and 30 at 7:00pm and 7:30pm. Tickets can be purchased online at schenectadyhistorical.org/walking-tours. For further information contact exhibits@schenectadyhistorical.org.

Friday, October 2, 2015

Not Quite the Real Story: The Murder of Martino Franchetti


Grave of Martino Franchetti from St. John's Cemetery, Schenectady. The gravestone reads, "Martino Franchetti. Born in Castione (Italy) March 5, 1870. Died by assassination November 2, 1902.
This Blog Post was written by Carol Clemens
 
As a child, I remember hearing the family story that my great-grandfather, Martino (Martin) Franchetti, was accidentally shot and killed while walking home from work. As it was told, a fight erupted in a saloon on Summit Avenue and a stray bullet struck Martino. No one ever really talked about the tragedy, but it was simply stated that he died when my grandmother was young so she never really knew her father. However, in the course of my genealogy research, I discovered that was not quite the real story! 

My first clue was finding a reference at http://www.schenectadyhistory.org/  to an obituary in the Schenectady Gazette for Martino Franchetti…however there were five other articles listed for dates between early November and the end of December 1902. This seemed a bit unusual. Since my sister lives in Schenectady, I asked her to check the newspaper microfilm at the Schenectady Public Library. Once she did, she immediately called me with the news that all the articles were about Martino Franchetti’s murder and not an accidental shooting.
Using the Schenectady Gazette newspaper articles as a starting point, I was able to piece together a very interesting story that is quite different from the family tale. While there are details that vary from article to article, this seems to be the closest to the real story.

Article from the Schenectady Daily Union, Nov. 3, 1902.
 
Martino Franchetti immigrated to New York on April 6, 1891. He went to Schenectady where he found work as a laborer. Around 1897, Martino married Amelia Benedetta Lavacchini, another Italian immigrant who arrived in 1891 as a 12 year old with her family from Florence, Italy. As was a common practice at the time, Martino and his wife had taken in Italian boarders. From about Oct. 1901-March 1902 Antonio Tonetta boarded with the family. Antonio fell in love with Amelia, and reportedly threatened her, trying to coax her to run away with him. Amelia told Martino about the threats and he kicked Antonio out of his home. Newspaper reports state that Tonetta threated to “get even”, telling Amelia he would shoot her husband and run away with her.

On November 2, 1902, Martino went to a saloon near his home on Summit Avenue. Tonetta and a friend, Nichola Vittelli, were also there. After a couple glasses of beer, Tonetta and Vittelli left the saloon. They had gone only a short distance when a man later identified as Martino Franchetti, called to Tonetta and walked toward him from the saloon. An argument ensued. Vittelli left the men and went back to the saloon to tell the customers there that he "feared the two men would injure each other." He had just opened the saloon door when he heard a shot. Tonetta had shot Franchetti with a 32 caliber pistol in the back of the head.

The first man to reach Franchetti was Frank Columbo, who was about to enter the Franchetti home where he boarded. Columbo helped carry Franchetti to his home and also identified the shooter as Tonetta. Dr. George McDonald, the surgeon who operated on Franchetti at Ellis Hospital, said that the bullet was fired from a point in the rear from close proximity and that he had little chance of surviving. Franchetti died on Nov. 3 leaving his wife, Amelia, a widow with two young daughters.

The murder weapon, a 32 caliber gun, was found under an apple tree in a vacant lot close to the site of the crime. Meanwhile, Vittelli was jailed as a witness but Tonetta disappeared. Police searched Tonetta’s current room on Strong Street and found a trunk with about $80 in cash, several photos of him, and other personal belongings. To the police, the packed trunk indicated that Tonetta might have been planning to leave town. Local authorities circulated a description of Tonetta to neighboring cities. On November 11th, the Schenectady Gazette ran a headline stating “Tonetta probably Captured.” Tensions grew as days passed and Tonetta was not found. The November 18th Gazette had an article titled “Murderers not Brought to Justice”. The search for Tonetta continued across the state and neighboring areas. 

An inquest was held and Tonetta was indicted, even though he remained at large. Amelia Franchetti testified and was described as being very "composed". She said she had not seen Tonetta for 4 days prior to the killing. The last time she saw him, Tonetta again insulted her, but she did not tell Martino because she was afraid it would lead to trouble. Amelia said she received several letters from Tonetta after Martino evicted him, but she never answered them. She also testified that Tonetta always carried a revolver and that he had several times drawn it on her and threatened to kill her unless she would go away with him.  In conclusion, Mrs. Franchetti said that she did not like Tonetta and never had.

Finally, on December 30th, nearly two months after the crime, Tonetta was captured in a Green Mountain logging camp in Vermont. When captured, Tonetta admitted that he had shot Franchetti, but did not know he had died. Tonetta was transported by train back to Schenectady, attracting crowds along the route. Once in Schenectady, he was questioned by authorities and gave the following account of the evening. According to Tonetta, he and Franchetti did not have words, but rather their friends got into an argument. Tonetta claims that when Franchetti started to enter the controversy, he drew his revolver and tried to hit Franchetti on the head.  Instead, he states the weapon discharged. Tonetta fled, dropping the revolver in the yard where the young boy later found it. Tonetta said he fled along Veeder Avenue and hid in the woods near Veeder’s Mill and eventually made his way to North Adams, MA. Hearing of work in a logging camp, Tonetta went to the Green Mountains and worked there until he was captured.

Commutation of Antonio Tonnetta. From New York, Executive Orders for
Commutations, Pardons, Restorations and Respites, 1845-1931. Courtesy of Ancestry.com and
the New York State Archives.
Antonio Tonetta was arraigned before the Supreme Court in March of 1903 on a charge of Murder in the First Degree. When asked what his plea was, Tonetta stated that he had killed Franchetti but he hadn’t meant to do so. Presiding Justice Martin Stover ordered a plea of not guilty be entered.  Stover then ordered extra jurors to be called for the trial which was to begin on March 18th, 1903. That morning as the trial was about to start, Tonetta’s court appointed attorney, Alexander Fenwick, asked for the plea to be changed from not guilty of murder in the first to guilty of murder in the second degree. Tonetta feared if found guilty of murder in the first degree he would face the electric chair, while murder in the second degree would bring a life sentence. District Attorney Walter Briggs accepted the change, and Tonetta asked to be sentenced immediately. Judge Stover sentenced Antonio Tonetta to life at Dannemora Prison in upstate New York.

Using records found on ancestry.com, I was able to find Antonio Tonetta in Dannemora Prison in the 1910 Federal Census. Other on-line sources led me to find references to prisoner records for Dannemora Prison for that time period. Contacting the New York State Archives, I was able to obtain copies of prisoner records affirming that Antonio Tonetta was in fact detained in Danemora for a life sentence. Additional records found on ancestry.com confirmed that Antonio Tonetta was released from Dannemora on March 20, 1917 after serving about 14 years for Franchetti's murder.
 

Supreme Court Minutes from the case of "The People of the State of New York vs. Antonio Tonetta".
 Courtesy of the Schenectady County Clerk
I also contacted Sharon Sheffer at the Schenectady County Clerk’s office in the summer of 2006, in an attempt to locate any trial records they might have. While nothing was available when I first contacted them, Ms. Sheffer and her staff took a great interest in my quest. In 2007 Ms. Scheffer located a 1903 document in which Mr. Fenwick indicated he had not received any payment for his court appointed defense of Tonetta. Then in February 2009, I was again contacted by the County Clerk’s office. Buried in the back of a vault whose contents were being moved, they found the Schenectady County Supreme Court Minutes Book for 1901-1908, and kindly sent me copies of the pertinent pages.  In September 2009, Ms. Sheffer sent me a copy of the indictment which had been found when old files were being moved.

While it has taken several years to piece together the events regarding the death of Martino Franchetti, it has been a fascinating project for me.  I am grateful to the Schenectady County Clerk’s office and for those who so patiently transcribe and post records on line making it possible for me to fill in this piece of my family’s past.

Wednesday, September 9, 2015

Taverns and Inns of Schenectady, Part IV: Prohibition and Speakeasies


Sketch of the ALCO Plant. Courtesy of the Grems-Doolittle Library Photo Collection.

Leading into the 1900s, Schenectady saw an industrial reawakening. General Electric and the American Locomotive Company (ALCO) were growing at a tremendous rates and both industries were a major factor for the rapid increase of Schenectady’s population. Other industries contributed to Schenectady’s growth, and soon, workers from all over the world were moving to Schenectady for work. This increase in population led to a need for more drinking establishments. Houses and hotels, the Vendome and Van Curler were two of the most popular, would pop up around Schenectady in the early 1900s and they offered food, drink, and lodging to people passing through. The need for workers in GE and ALCO was mainly fulfilled by immigrants, including many who were from Italy and Poland. The influx of immigrant workers into Schenectady helped Schenectady become one of the fastest growing and most industrious cities in New York.  Immigrants in Schenectady would often end up residing in the neighborhoods close to their workplace. The East Front Street Neighborhood was where many of this new immigrant group settled. Front Street’s proximity to ALCO and other factories made it a natural spot for workers to live in (see our previous blog post on the East Front Street Neighborhood for more information http://gremsdoolittlelibrary.blogspot.com/2014/04/the-east-front-street-neighborhood.html.)

The Hotel Vendome had several name changes throughout the 1800s. It was opened in 1850 as The Eagle and between 1865 and 1868, it was renamed The Carley House. The clock tower was added in the early 1890s and it was reopened as the Barhydt House. The final name change occurred in the late 1890s when it became the Hotel Vendome. Courtesy of the Grems-Doolittle Library Photo Collection.

An example of the punishment a
keeper of a disorderly house would get.
From the February 4, 1905 issue
of the Amsterdam Evening Recorder
Police and public officials did not consider this new immigrant group to be a large part of Schenectady’s criminal element, but the press would often have a field day reporting on crimes that Italians and Poles committed. Like much of the population, a large amount of the arrests of Italians and Poles occurred due to excessive drinking and many of those arrested were considered “intemperate” by the police. Crime occurred mainly within the neighborhoods that the immigrants resided in and both the Fifth Ward of Schenectady and Front Street were notorious for dive bars and houses of ill-repute. The Fifth Ward housed John Verra who was known as the “King of the Red Lights” and Jennie “The Terror” Salerno who, according to Robert Pascucci’s Electric City Immigrants, was a corpulent but muscular woman who ran a saloon with an extremely rough reputation. On Front Street, there was Raffaelo Negro’s “resort of all bad Italians of the neighborhood” and Louis Farone’s disorderly house on Monroe Street. Stories of crime in these saloons and taverns may have been favored by the press, but many immigrants were being arrested for smaller offenses like petit larceny, gambling, and in the case of Italian street musicians, disturbing the peace. Pascucci's book is an excellent resource for finding more about these neighborhoods and can be read online at http://schenectadyhistory.org/resources/pascucci/index.html.

Advertisement for The Franklin from the July 25, 1914 issue of the Schenectady Gazette.
A hotel located several blocks from the East Front Street Neighborhood served a different type of worker. The Franklin Hotel at 225 Liberty Street was known to many actors, musicians, and others on the vaudeville and burlesque circuit. The Franklin was as a place where “a thirsty prohibition-era actor could always find something to wash away the dust after three-a-day performances.” The Franklin was owned by the Gartner family from 1913-1950 and saw some of the best vaudeville acts get a drink or have a meal at the hotel. Actors from the old Proctor’s theater on Erie Boulevard would go to the Franklin after late night shows where they would be served a night lunch and play poker throughout the night. During Prohibition, the actors would be served Nate Gartner’s “home brew” and just about anything else they could find. An interview with Nate Gartner from the Daily Gazette recounts the time that a 12 year old Milton Berle visited The Franklin. Nate says that Berle was on a diet to bulk him up a bit and that he was always accompanied by his mother. Other acts that lunched at the Franklin included Jimmy Cagney, the Avon Comedy Four, Stan Laurel, and even Harry Houdini.

While many speakeasies had tight security, they could still be quite dangerous
as seen in this article from the October 23, 1930 issue of The Saratogian.

During prohibition, rum runners and bootleggers would often drive up to Canada to obtain alcohol for local speakeasies. In his book Schenectady’s Golden Era, 1880-1930, Larry Hart recounts the story of Paul Gay who would regularly make the rum run from Schenectady to Canada to supply his own speakeasies. He was caught one time before the prohibition laws were solidified, fined $50 for illegal entry into the U.S., and sent on his way. Speakeasies would often serve wine, liquor. The low-alcohol beer, also known as near beer, served during prohibition was deemed inadequate and a popular saying during the time was that “Whoever called it near beer was a poor judge of distance!” Drinkers of near beer would often spike it with the alcohol that was sold at pharmacies. Bootleggers were often more likely to get highjacked than caught by the police. One bootlegger called the cops to report his vehicle stolen. The Schenectady Police found his heavily modified car on State Street. The bootlegger’s car had a special body and suspension in order to carry heavy loads and an armored plate over the gas tank. These additions didn’t stop the highjackers who drove up beside the bootlegger’s car, jumped on the running boards and pointed a revolver at him, and ordered him to stop.
A prescription for medicinal alcohol from Whelan's Drug Store in Schenectady. During prohibition, prescription liquor was one of the only legal ways to obtain alcohol. Courtesy of the Grems-Doolittle Library Collection.

The Schenectady History Museum’s exhibit A Night on the Town in Schenectady 1850-1950: One Hundred Years of Fashion & Frivolity features fashion from the early 1900s and is a great depiction of what it was like to be a socialite during this time. Check it out at our 32 Washington location and stop by the library to learn more about Schenectady’s historic hotels and taverns.


Friday, August 21, 2015

Taverns and Inns of Schenectady, Part III: From Taverns and Inns to Hotels and Saloons

This blog post was written by library volunteer George Wise

The nineteenth century US saw a change in the terms typically applied to places supplying drink, food and lodging. The early general use of the terms “inn” and “tavern” gave way to the later use of the terms “hotel” and “saloon”. This was not a mere vocabulary exercise. As Schenectady’s experience illustrates it reflects, though imperfectly, a changing role of the role of such establishments in the community’s experience of population growth, immigration, transportation, industrialization, and politics.


37 Front Street was the site of the Eleven O'clock House.
Courtesy of the Grems-Doolittle Library Collection.
In the first three decades after  Schenectady’s designation as a city in 1798, the role of public venues for the consumption of alcohol was viewed as an accepted, if somewhat disreputable, aspect of community life. This is best conveyed in descriptions given by the diaries of Harriet Mumford Paige, a socially prominent early 19th century resident of the Stockade neighborhood. She describes such taverns as the Eleven O’Clock House. The name referred to the custom of craftsmen and shopkeepers stopping work for a drink at that hour of the morning. The Pangborn Tavern served as headquarters for the three Glen brothers and First Reformed Church Minister Vrooman’s son. The four were “the cream of the Schenectady Rowdies”. The Schenectady Coffee House at the corner of Union and Ferry Streets became successively Platt’s Inn, Hudson’s Tavern, and ultimately by 1815 the first venture of the man who would become Schenectady’s most successful hotel entrepreneur, Resolved Givens.

Photograph of Platt's Inn.
Courtesy of the Grems-Doolittle Library Collection
Inns and taverns had important public roles as well. Albert A. Vedder’s tavern was a frequent location for caucusing to nominate candidates for political office, or for public meetings to discuss such matters as the need for a second Schenectady bank. Harvey Davis’ Inn served as a sort of extension of the county court. For example, when the farm of Catharine Kettle of Princetown was foreclosed, she was told via public notice that her “goods and chattels” would be “seized and taken and shall expose to public sale as the law directs at the house of Harvey Davis, innkeeper, in the 2nd Ward of the City of Schenectady. Hudson’s Tavern was the site, in April 1798, of the first meeting of the City of Schenectady’s Common Council.

An early change in the image of these establishments came with the rise of the temperance movement. The Schenectady County Temperance Society organized at a meeting at the First Presbyterian Church in January, 1829. It set January 22, 1829 as “a day of fasting, humiliation and prayer with reference to the prevailing sin of intemperance.” Sin or not, alcohol indulgence was a growing social issue. Historian W.J. Rorabaugh estimated that per capita alcohol consumption in the U.S. had increased from 2 gallons a year in 1710 to more than 5 gallons from by 1820. The formerly acceptable inns and taverns now became seen by some as dens of vice. Schenectady’s approach to this issue was more moderate than other locations. The figurehead and public face of Schenectady abstinence, minister and Union College president Eliphalet Nott, was a man described as “temperate in his temperance”. He preferred educational campaigns to Carrie Nation’s axe. 
Photograph of Given's Hotel.
Courtesy of the Grems-Doolittle Library Photograph Collection.
The first quantitative estimate of Schenectady inns and taverns came in 1841, when the first occupational directory of Schenectady was published. It listed 14 innkeepers, 4 hotels, and the Eagle Lunch, which probably offered whiskey on the noon menu. Also included was Isaac Fowler, the first Schenectadian to list his occupation as “barkeeper.” The bar he kept was located at the Givens Hotel, Schenectady’s finest lodging house. Resolved Givens, and his one-time partner Isaac Ledyard, owner of the nearby City Hotel, had started buying up property in the vicinity of the modern intersection of State St. and Erie Boulevard as early as 1806. They correctly anticipated that the city’s downtown would move in that direction. Givens is credited in some accounts with not only predicting where the Erie Canal and the New York Central railroad would go, but also politically influencing the decisions that made them go there. Whatever his role, his somewhat ramshackle hotel did become the prime stop for travelers. He became one of Schenectady’s richest men.
 
Print of Ledyard's City Hotel.
Courtesy of the Grems-Doolittle Photograph Collection.
As that name “hotel” increasingly replaced “tavern”, the transportation revolution changed lodging location. Prime sites were no longer clearing or landings every fifteen miles or so along turnpikes or rivers. Now they were the center-city location of canal docks and railroad depots. The neologisms hotel and saloon, were of French origin. Perhaps this was an attempt to give some continental cachet to establishments that were increasingly, in an era of temperance agitation, seen as disreputable or even sinful.

Schenectady’s inns and hotels listed in that 1841 directory and the 1850 census were not evenly distributed throughout the city. Instead, they were concentrated along or near State Street. This route began at “Battle Ground” near the river, described by 1830s diarist Jonathan Pierson as “a filthy place”, and later given the more neutral nickname “Frog Alley”. At its other, eastern, end, State Street became the road to Albany near Schenectady’s first real factory, the Schenectady Manufacturing Co.’s cotton mill. It stood near where modern Craig St. meets I-890. There farmer and sometimes mill worker John Coss held the liquor license for an establishment that refreshed working men and women after 12 hour days of tending spindles and looms. In between those two extremes,  where the Erie Canal and the nearby New York Central Railroad both crossed State St.,  stood the city’s four most  respectable hotels: the Givens Hotel, the City Hotel, the Rail Road House, and, a bit later, a Temperance Hotel.

Photograph of Frog Alley circa 1890. A.K. Scrafford's Hotel is shown on the left.
Courtesy of the Grems-Doolittle Photograph Collection.
As a political issue, temperance typically ran against the tide. It had, however, occasional successes. In 1855 the American Party, popularly known as the “Know Nothings” swept into control of Schenectady’s city government. The party’s platform proclaimed that “slavery, like papacy is a moral evil”, and that no immigrant should be allowed to vote until he had been in the U.S. for 21 years. The Know Nothings also came out for free schools, the Bible, and sobriety. Not much could be done on a local scale about slavery and the Pope. Schenectady’s Know-Nothing mayor Abel Smith, could, however, do something about sobriety. Since the city’s founding in 1798, the Mayor had the power to appoint three excise commissioners, who issued liquor licenses. In 1855, Smith announced that he had instructed the commissioners to issue no more licenses.


Schenectady's "Know Nothing" Mayor, Abel Smith.
 Courtesy of the Grems-Doolittle Library Collection.
This effort, like the Know Nothing Party itself, was short lived. By 1857 the Schenectady County Government took over from the major the power to appoint the excise commissioners. It would not be returned to the city until 1870.  This change likely recognized the unstoppable advance of saloons. More generally, the Know Nothing episode reflected the growing unease among “American” residents about the rising tide of first Irish and then German immigration. Both groups were accurately perceived as having permissive attitudes toward alcohol use. The temperance movement continued to be entwined with anti-immigrant sentiment. In Schenectady this evolved into a minor political party. This Prohibition Party sometimes ran candidates for city office, but never successfully. It achieved limited successes when it became a swing vote between two evenly balanced major parties.



Saloon of Henry Vonderahe.
 Courtesy of the Grems-Doolittle Library Photograph Collection
The 1860 Census marked the emergence into common use of that term saloon. That Census listed 13 saloons, alongside 20 inns. In the previous, 1850, Census, the word saloon had not appeared at all. The word tavern went unmentioned both in both censuses, and in the 1857 occupation directory, which listed 6 hotels. The total of 39 such establishments is somewhat less than the 53 liquor licenses issued in 1859. This is because many of the licenses went to grocers, whose stores both sold liquor, and occasionally served as informal saloons or even boarding houses. Unlike the inns of 1841, the saloons were distributed in clusters in each of the city’s five wards. The saloon descriptions even became specialized. Three were listed as “billiard saloons” and two were listed as “oyster saloons”. Clara Clute, one of the few female saloonkeepers, ran an “ice cream saloon.” Michael Hearndon, located nearby, titled his more tersely and directly: “drinking saloon.”   Over the last third of the century the number of saloons soared. Judging from occupational directories and newspaper estimates, and therefore probably an underestimate, there were 30 saloons in Schenectady in 1870 and 200 in 1900. This rate of growth was twice as fast as the growth rate of Schenectady’s population. An 1892 temperance reformer estimated that Schenectady had one saloon for every 150 residents, while even the “wicked city of Chicago” had only one for every 200.  A related number, the annual arrests for intoxication, nearly doubled from 269 in 1881 to 522 in 1892. Again, this was significantly higher than the growth rate of city population.

These statistics, however, miss the social and political role of saloons. This was often positive, and always interesting. It can be illustrated with three stories.

Matthais Treis was born in Prussia in 1821, and came to the U.S. in 1856 with his brother Nicholas. Employed initially as a laborer, and for a while as a broom maker, he saved his money. By 1865 he was able to open a saloon at 502 State Street. This was still a disreputable neighborhood, featuring the ruins and still occupied worker tenements of the now-defunct cotton mill. It was also the site of the County Poorhouse. It was quickly becoming, however, the preferred residential area of industrious and upwardly mobile German immigrants such as Treis.

Adopting a time honored role, on March 31, 1869, Matthias Treis’s Tavern was the location for the election of the 5th Ward’s nomination of 5 delegates to the City Democratic Party Convention. Treis himself earned one of those delegate posts.  At those City Conventions, over the subsequent years, delegates from the Albany Hill portion of the 5th Ward, mainly German, and delegates from the 3rd Ward, mostly Irish, battled against the older and more socially prominent Dutch or English descended for control of the Democratic Party.

In 1885, those older ethnic elements got the upper hand. Democrat Mayor Henry S. DeForest chose to follow the policy of his Republican, but similarly upper-class predecessor John Young and seek “higher licenses and fewer saloons.” When Matthias Treis arrived to renew his liquor license on May 19, 1885, he was told that “the majority of the board does not feel disposed to grant a license in your district, Mr. Treis” (Quotes here are from newspaper reports at the time. Be warned that such reports typically were slanted in a direction unfavorable to, and often ridiculing of, immigrants). Treis answered: “well, I don’t see why not. I have kept a good place for 20 years.” He then, according to the reporter, “turned sorrowfully away.”

His sorrow quickly turned to action. He banded together with some 30 other rejected saloon keepers to create a defense fund variously described in amount as somewhere from $600 to $2000. The participants proceeded to violate the law, to continue to sell liquor, and to use the defense fund to pay their fines. They also recruited the legal services of A.A. Yates, former judge, mainstay of the city’s Republican Party, and grandson of a New York State governor. Mayor DeForest, like his anti-liquor predecessor, Dr. Nott, was a committed but temperate advocate of temperance. He quickly saw the light and found room for compromise. “Now that a less fanatical board of commissioners has been appointed,” a reporter wrote in April, 1886, agreement had been reached. The “higher fees” remained, but the “fewer saloons” part was abandoned.  The victorious saloonkeepers association disbanded. Matthias Treis paid his $75 fee and received his renewed liquor license.

The social and political role of saloons proved important in controversies within, as well as between, the city’s ethnic communities. This role became especially important after the 1886 arrival of the Edison Machine Works. This was followed by the addition of Eastern Europeans, especially Poles, as well as Southern Europeans, especially Italians, to the ethnic mix.

In 1893 Stanislaus Kowalski, owner of the Washington House Saloon on Edison Avenue, was seen as “one of the pioneers of the Polish settlement in this city…. piloting his countrymen through the difficulties of naturalization, befriending them in entanglements of the  law… president of the Parish, captain of the Polish laborers.”

He also became entangled in a dispute with a recently arrived priest of Schenectady’s first Polish parish, St. Mary’s. Father Dersezewski was also a champion of the social and economic needs of his community, involved especially in gaining for his parishioner’s employment and relief during the deep economic depression of 1893. These meritorious activities invaded Kowalski’s turf. Some accused Kowalski of going to the Bishop in Albany and trying to get Father Dersezewski fired.

Matters came to a head at a meeting of 300 people at Kowalski’s saloon on Oct 21, 1893. The avowed purpose was creating a Polish-American Political Club. Foes of Kowalski accused him of demanding future political loyalty in exchange for his citizenship aid. Sticks and stones were brandished. Officer Flanigan intervened in time to prevent the breaking of any bones. He was, however, unable to prevent throwing of the stones and demolition of the glass front of the saloon. Kowalski subsequently retreated from direct political involvement into the role of publisher of the area’s first Polish newspaper.

A story more directly relating the saloon saga to the arrival of the town's new dominant employer also occurred in 1894. Kruesi Avenue, named after the first superintendent of the Edison Works, was one of the new neighborhoods that bloomed because of proximity to the General Electric Plant. It quickly gained such nicknames as “Crazy Avenue” and “the Bowery”, after the similarly notorious district in New York City. While admitting that “not all the saloons on Kruesi Avenue are disreputable,” newspapers had a field day describing the goings-on in those saloons, as well as in Kreusi Avenue’s other “objectionable houses.”

According to A.A. Yates, who now wrote as a defender of family values rather than of saloons, it was GE’s tender concern for the morals of its workers that led the company to launch an 1894 campaign to clean up Kruesi Avenue.  This claim is both implausible and inaccurate. As GE Vice President Joseph P. Ord explained, GE needed the land which bordered the plant in order to extend the length of its main factory buildings. This extension would make possible the efficient construction of bigger electrical generators, using overhead cranes powered by the very electricity that the new generators would produce.

His explanation was also an ultimatum. If the city did not close down and demolish Kruesi Avenue, GE would begin to look more favorably on the offers of other communities. Some were offering up to 100 acres of land and a million dollars in subsidies, for the privilege of being the new home to the greatly expanded main plant of the General Electric Company.

Schenectady’s newly created Board of Trade got the message. Acting with the alacrity previously shown by Treis and the saloonkeepers, the Board of Trade convinced 140 Schenectady merchants to make contributions that ranged in size from $1500 down to $20, and totaled $35,000. This sufficed to pay off the Kruesi Avenue landowners. A pleased Joseph P. Ord told the board that Schenectady would soon be the home of the greatest electrical machinery works in the world. The Schenectady Works of the General Electric Company would soon fulfill Ord's prophecy.

The cleanup of Kruesi Avenue only diffused, rather than eliminate, the activities that the street had housed. Newspaper accounts now turned to the activities of new notorious dens of vice opening up nearby, such as “The Crow’s Nest”, “313 Broadway”, and “Jenee Scott’s”.

This incident, along with the parallel replacement of the Givens Hotel with a brand new Edison Hotel, does however provide a fitting end to the 19th century transition from an era of inns and taverns to an era of hotels and saloons. Little visual evidence of that era can be seen today. The surviving tip of the avenue, the part that GE did not need, can still be found outside a now sealed-up GE Plant gate under a sign that reads Lower Broadway. That very short street is, appropriately, now the home of the city’s most notorious adult bookstore, as well as of at least one tavern and one pub. The latter, thanks to a proprietor with a fine sense of history, is called the Kruesi Ave Pub.



Friday, August 7, 2015

Taverns and Inns of Schenectady, Part II: Tapsters in a Time of Crisis


This post was written by library volunteer Victoria Bohm
As the 18th century came and progressed, the ever increasing rules, regulations, and taxes imposed on the British Colonies by King George II and III, including those on tapsters and liquor, incited the revolutionary spirit. Taverns and inns were more than pre-Motel 6 accommodations for travelers, they were meeting places and conference centers for business, economics, and politics. As the fateful decade of the 1770s rolled around, various taverns took center stage in Schenectady.
Engraving of "Washington's Farewell to His Officers" by Alonzo Chappel. After the British evacuated New York, Fraunces Tavern in New York City hosted a dinner where General George Washington bade farewell to his officers of the Continental Army.  
Though laws had been passed from the mid-17th century on forbidding the sale of trade of liquor to the Native Americans, such statutes were not always followed or enforced. With the French and Indian Wars a memory very much alive, the Committee of Correspondence feted the Oneida Tribe at the William White Tavern in Schenectady in order to curry favor and keep the Oneida from joining or aiding the British. The party favors must have worked because most of the Oneida with the Colonists while other Indian Nations sided with the British. After the War, two treaties were signed by Chief Shenendoah in 1794: the Veteran’s Treaty which acknowledged the Oneida as fighting allies of the Americans, and the Canandaigua Treaty which recognized sovereignty, land rights, and tax freedoms of the Oneida.

Schenectady tavern owner Robert Clench came to America to work under British General Braddock. During the French and Indian War, Clench got to know a certain soldier well during the French and Indian Wars, one George Washington. After the War, Clench married Hannah Vernor in Pennsylvania, had six children, moved to Schenectady in the late 1760’s, bought a tavern named the “Sign of the Crossed Keys”, became a church warden for St. George’s Episcopal Church, and made himself a prominent and respected citizen. Clench’s tavern hosted town meetings, assembly meetings, and saw the St. George Lodge of the Masonic Order formed there in 1774. But all was not well or properly patriotic in the Clench family. In 1776, Robert Clench was reported to the Committee of Safety for statements unbecoming a truly patriotic American. In 1777, he was branded a “dangerous person,” though he declared himself ready to fight in the face of an invasion. When he failed to show up to take the Oath of Allegiance, the Commissioner of Conspiracies went after him. The Committee of Correspondence and the Masons of St. George Lodge decided to move their meetings out of Clench’s Tavern. Finally, in mid-1778, Robert Clench took the Oath. Robert’s son Robert’s son, Ralph, on the other hand, joined the British forces, seeing action under General Burgoyne and with Butler’s Rangers.

New York State Historic Marker showing the location of Clench's Tavern. Courtesy of the Grems-Doolittle photo collection.
Robert Clench died in 1781. His widow Hannah ran the business for a while, then his son Thomas Barton Clench took over. George Washington even visited the tavern in 1782 and 1783, and the Masons thought the tavern once again patriotically respectable enough to resume their meetings there in 1782. After the tavern burned in 1819, Thomas Clench ran a tavern out of the old Arendt Bradt House.
The Revolutionary War did not curtail the tavern/inn business. Records of the Schenectady Committee of Safety from 1777 show a list of those called upon to make sure their licenses were valid and to pay their excise taxes. Reuben Simonds was among those names. Simonds took over the tavern on Church Street from Jonathan Odgen in 1762, already known as a gathering place for patriots. Simonds duly answered the Committee’s summons and paid for his license. The Simonds Tavern continued to be partial to patriots. Reuben himself enlisted and served in the 2nd Albany County Militia. When a fire in 1807 burned Simonds tavern, Theodore Burr’s Mohawk Engineers each gave a day’s work in order to rebuild Simonds’ tavern, allowing Simonds to move back in the day after the fire.
List of Schenectady residents allowed to keep a tavern. From the "Minutes of the Schenectady Committee, 1775-1779." Courtesy of the Grems-Doolittle Library Collection.

Between 1762 and 1772, Charles Doyle ran a tavern on Union Street frequented by those known to have Loyalist sympathies. The tavern was next to the Colonial Barracks which housed English Militia men. By the time the Revolutionary War began in earnest, the place had been bought by John Duncan. John and his son Richard Duncan were known to have Loyalist sympathies. Richard was a captain under Sir John Johnson, and after the War both John and Richard managed to remain in Schenectady and hold on to their property. When Duncan’s tavern was demolished, it was discovered to be riddled with secret doors, stairways, and partitions which made it perfect for the comings and goings spies and couriers.

Though most taverns in Schenectady and its surrounding area boast no documented historic even or person during the Revolutionary War, some may simply and proudly boast of their historic standing by standing the test of time. Built in colonial times, surviving the tumult of the Revolution, and still standing through the change of hands and purpose into the 20th century, two are well worth mentioning, the Swart and the Vedder taverns.

Painting of Swart House and Tavern in Glenville. Courtesy of the Schenectady History Museum.
Josias Swart obtained a land grant in 1713 near the Mohawk River in Glenville and proceeded to build a large brick structure which was to be both home and tavern in 1735. One entrance served the tavern, another served the private home. Teunis Swart served as an ensign in the 2nd Regiment of the Albany County Militia, with a great many more family members serving as enlisted men. Swart’s tavern survived the war and into the 20th century as one of the oldest remaining structures of the region. The name-dropping event for the Swart Tavern was the visit by Dewitt Clinton in 1810 on an inspection trip prior to the building of the Erie Canal.

Wine Barrel found in the cellar of the Swart Tavern. Courtesy of the Grems-Doolittle Photo Collection.
Clinton would also visit a nearby tavern owned by the Vedder family. The long-standing tavern run by the long-standing Schenectady family Vedder stood on the Amsterdam-Schenectady Road a few miles outside of Schenectady.  Even older than the Swart Tavern, the original structure, built of brick in Dutch fashion, saw at least two additions and a stucco overlay.  The tavern was also known to quarter slaves in two large rooms in the cellar. Many of Schenectady’s first (and second) families owned slaves well into the 1800s. The Vedder family supplied the American troops with many soldiers, their names in the New York State Militia Rolls as enlisted men and with Lieutenants A.S. Vedder, Philip Vedder, Albert Vedder, and Francis Vedder. Revolutionary War hero Albert A. Vedder is buried in the Vedder burial site on the former family homestead.

Photo of the Vedder Tavern in Glenville, NY. Courtesy of the Grems-Doolittle Photo Collection.
Whether slaking the thirst of the British or the Americans, the taverns of Schenectady and its environs provided food, drink, shelter, rest, and company for centuries in war time as well as peace time. More information about the taverns, inns, brews, and breweries of the Schenectady region, as well as the families involved with all such activities, may be found in Grems-Doolittle Library at the Schenectady County Historical Society

Stay tuned for our next installment of the taverns and inns of Schenectady where we cover some of Schenectady’s popular taverns during the 1800s.


Tuesday, July 21, 2015

Taverns and Inns of Schenectady, Part I

The 1698 Romer Map of Schenectady shows many important landmarks and buildings in Schenectady. The Brewhouse is outlined in yellow. Courtesy of Grems-Doolittle Map Collection




The 1698 Romer Map is one of the earliest and most detailed maps of Schenectady. This map shows some of the more important buildings and features in Schenectady, including the church, the mill, the King’s Fort, and the brewhouse. Beer and heartier beverages were an important part of Colonial life and some of the more prominent original settlers of Schenectady brewed and sold these beverages in their taverns and inns. Alcohol was not just limited to the men in New Netherlands, women and children were also known to drink. Early Dutch settlers were so fond of imbibing that when Peter Stuyvesant became director-general of New Netherland, he passed several restrictions on drinking and selling alcohol. Stuyvesant believed that excessive drinking “causes not only the neglect of honest handicraft and business, but also the debauching of the common man," and set out to try and create some order among the Dutch settlers. Among the restrictions were rules on reporting bar fights, the banning of the sale of alcohol to Indians, and rules against “unseasonable night tippling”. Despite these restrictions, the tavern remained very important part of colonial life and served several functions for the settlers in Schenectady. In addition to the obvious function of quaffing beer and harder drinks, taverns allowed people to gather and spread news, discuss and debate politics, trade furs and other items, and provided means of entertainment.

Dutch artist Jan Steen painted many scenes of drunken revelry. This painting from 1654 titled "Peasants before an Inn" shows Dutch farmers dancing and drinking outside of a tavern. Similar scenes would probably take place in Schenectady and throughout New Netherland. Courtesy of the Toledo Museum of Art, Toledo, OH.
One of the first innkeepers in Schenectady was Douwe Aukes De Freeze who settled here in 1663. His inn was located on the corner of Mill Lane and State Street, close to the first church in Schenectady. The first licensed tapster on record in Schenectady was Jacques Cornelise Gautsch Van Slyck who was licensed in 1671. The exact location of Van Slyck’s tavern is unknown, but is suspected to be between State and Water Street.  Van Slyck’s rival tapster was Cornelis Cornelise Viele. Viele applied for his license in 1672. The root of their rivalry was that Van Slyck believed he was given privilege to be the only innkeeper in Schenectady, and that Viele’s license would interfere with the business of his tavern. It was decided by the Executive Council that both men could have a license as long as “one should not in any way molest or hinder the other.” A third license was given to Antonia Van Curler, the widow of Schenectady founder Arendt Van Curler, in 1673. Governor Lovelace granted her the license partially in order to quell the quarrels between Viele and Van Slyck, but also for the loss of her husband and for the fire which destroyed her house and farm. The selling of liquor to Indians was normally forbidden, but Antonia’s license allowed her to sell a limited amount of rum to Indians, which neither Van Slyke nor Viele had.
Not to say that the law always dissuaded tavern owners from serving local Indians. Maria Du Trieux settled in Schenectady later in life and was quite familiar with the laws against selling liquor to Indians, having violated them a few times. Maria, along with husband Jan Peek, operated a popular inn in New Amsterdam that was known for late night and Sunday tappings. These tappings cost Jan Peek his license for a short time, his license was reinstated in November 1654 on account of being “burdened with a houseful of children.”  After Jan died, Maria was prosecuted for selling liquor to Indians. She was sentenced to pay 500 guilders and was to be banished from the island of Manhattan. Maria requested that her fine be forgiven on the grounds that she was “one of the oldest inhabitants of New Amsterdam.” Her request was granted and she ended up moving to Albany. From Albany, she moved to Schenectady to live closer to her children on the corner of Front and Church Streets.
Anna Kendall's house on North Ferry Street. Missing from the house is the "Cakes and Beer" sign. Courtesy of the Historic American Buildings Survey
Women in 17th Century New Netherland had some freedom compared to their counterparts in New England. Dutch Women were allowed to engage freely in business and wives of innkeepers, like Maria Du Trieux, would often continue the business after their husband had died. This practice seemed to continue even after the British took control of New Netherland in 1664. Innkeeper Caleb Beck died in 1733 and his widow Ann continued to run the hotel and dry goods shop on Church and Union Street. Other female tavern owners included Anna Kendall who owned a shop on North Ferry Street. A sign outside of her shop advertised “Cakes and Beer”, with an image of a bottle behind the lettering. When Anna’s second husband George Kendall died, she continued to run the shop. In addition to selling beer, she would partake in drinking and when she drank too much her son would bundle her up and take her home.

Captain Arent Bradt’s house was an important meeting place for many of Schenectady’s residents. Arent Bradt was a brewer and a member of the Provincial Assembly in 1745. Arent owned a lot of land bounded by State, Washington, Union, and Church Streets in Schenectady. It was on this lot that he opened a tavern. Schenectady's town government would sometimes hold meetings at Bradt's tavern. According to Ona Curran’s article “Tapsters and Taverns” in the June 1963 issue of the Schenectady County Historical Society's newsletter, records for April 1751 show that “the town of Schenectady paid two pounds to Bradt for troubles in his house and board for councilmen.” 
View of State Street from the late 1800s showing J.W. McMullen Marble Works, formerly the Bradt Tavern. This building was located on the site of the former YMCA at 13 State Street. Courtesy of the Grems-Doolittle photo collection.

Halfway between Albany and Schenectady on the King’s Highway was the “Halfway House”, which was owned by Isaac Truax. Truax was described as a “jolly good tavern keeper and a good friend,” but his inn may not have been the safest. The King’s Highway was notorious for smugglers, thieves and others of ill repute. It was so dangerous that in 1756, a group of militiamen would escort travelers to and from Schenectady. A rumor of guests being murdered at Truax’s inn cropped up, and many years later an excavation at the site of the inn revealed human skeletons under the floor.
Painting of Issac Truax's Halfway House by K.C. Reynolds. Courtesy of the Schenectady History Museum.
As Schenectady’s population continued to rise during the mid-1700s, so does the number of taverns in the town. The taverns also become increasingly more political as tensions between the colonists and British heat up. Find out more in our next blog post on the taverns and inn of Schenectady.